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5. In the box marked SSID (ESSID on some access points), type a unique name to identify your wireless network. As a general rule, don t choose a name that makes it easy to identify you personally, but do choose a word or name that you ll remember. After complete, click Save Settings.

N 1 u=0 N 1 2 v=0 (F (u, v) FA (u, v)) N 1 N 1 2 u=0 v=0 F (u, v) N 1 x=0 N 1 2 y=0 (f (x, y) fA (x, y)) N 1 N 1 2 x=0 y=0 f (x, y)

Version 6 adds even more gradient features. You can create and save collections of your favorite gradients as presets, just as you can patterns and brushes. In addition, you can create noise gradients, use the new Dynamic Fill feature to create a gradient as an adjustment layer, and use the Layer Style command to add a gradient overlay to a layer. (I explain the first layer option along with the other adjustment layer options in 17; you can read about layer styles in 12.) If you re accustomed to using gradients in a drawing program such as Illustrator or FreeHand you ll find that Photoshop is better. Because Photoshop is a pixel editor, it lets you blur and mix colors in a gradation if they start banding that is, if you can see a hard edge between one color and the next when you print the image; and Photoshop s gradations never choke the printer or slow it down, no matter how many colors you add. While each band of color in an object-oriented gradation is expressed as a separate shape so that one gradation can contain hundreds, or even thousands, of objects gradations in Photoshop are plain old colored pixels, the kind we ve been editing for five and a half chapters.

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Key techniques for selling via the Internet IMPLEMENTATION CHECKLIST: seven techniques for a successful lnternet selling strategy

Here s what you can do in the main section of (almost) each Track Inspector: Name the track (You can also name each track by double-clicking its name in the Tracks list to select the text, and then typing the new name) Set the time, relative to the timeline, at which the track begins playing, as well as how long it remains a part of the movie Set the position of the visual within the movie viewing area The first field sets the distance of the left edge of the image from the left side of the video window The next field does the same for the top edge and top of the movie, pushing the visual down within the movie window (You can also do this by dragging the item in the Layout tab) Check the Constrain Proportion box to maintain the relative size of the movie.

As handy as it is, GoLive s ForceFrame Action doesn t handle nested framesets. If you use it to load a page into a single frame, or another frameset, that was nested within a default frameset, the page and frame will not appear when the frameset page loads. Fortunately, OUT Media Design, at its OUTactions site (http://out.to/actions), sells an excellent and stable alternative that does handle nested framesets. (It s a very reasonable $10, and I definitely recommend it.)

The module method HTTP([host[,port]]) constructs and returns an HTTP request object. The parameter host is the name of a host (such as www.yahoo.com). The port number can be passed via the port parameter, or parsed from the host name; otherwise, it defaults to 80. If you construct an HTTP object without providing a host, you must call its connect(host[,port]) method to connect to a server before sending a request. To start a Web request, call the method putrequest(action,URL). Here, action is the request method, such as GET or POST, and URL is the requested resource, such as /stuff/junk/index.html. After starting the request, you can (and usually will) send one or more headers, by calling putheader(name, value[, anothervalue,...]). Then, whether you sent headers or not, you call the endheaders method. For example, the following code informs the server that HTML files are accepted (something most Web servers will assume anyway), and then finishes off the headers:

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